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INDEPENDENT LABEL ARCHIVE / VINYL / DIGITAL / DIRECT MATERIAL
HARDWARE-DRIVEN MUSIC FOR THE SOUL
EST. 2020
AMSD / AMSV
AMS NETWORK
AI001

PIERRE
MARTY

South of France / Berlin

HOUSETECHNOMINIMALDUBBYELECTRONICS
FORMAT:
Interview
RECORDED:
2026
FEATURE:
AMS Network / Interview 001
Pierre Marty interview portrait

THE INTERVIEW

A wider conversation about influences, process, limitation and what comes next.

AI001 opens the interview side of AMS Network through Pierre Marty: a conversation moving through formative club experiences, discipline, limitation, hardware, online culture and the slower process of building a personal artistic language.

Pierre Marty portrait
01

What originally pulled you towards house / electronic music, and do you remember a particular moment, artist, record or environment that stayed with you?

“My earliest memories go back to the end of high school. I was already playing music (guitar and bass), mostly in rock and punk-rock bands. My friend Vincent, a drummer, had...”

02

Was there a specific period in your life where music became more than just a hobby or interest?

“When I was around fifteen to seventeen, my guitar teacher Alex was extremely demanding. Instead of simply teaching me songs, he had me learn the basics of jazz improvisation which...”

03

Do you approach making music differently now compared to when you first started?

“Completely. the process is constantly evolving. With time I developed more discipline, and learned not to depend on the perfect mood or a sudden flash of inspiration to start...”

04

How would you describe your current relationship with hardware, software and studio workflow?

“Hardware has always been at the center of the process for me, with the digital side there as support. I think it comes from my background as an instrumentalist because I need...”

05

What role does limitation play within your process?

“I don’t think I could create anything without limitations, whether they are physical or self-imposed. My best tracks often came from very concrete ones: the eight-track structure...”

06

What usually comes first for you when building a track : rhythm, texture, sampling, arrangement, etc.?

“The further I go, the more I compartmentalize. My sampling sessions are separate from my sound-design sessions, which are separate again from composing or arranging. These days I...”

07

What does a typical day look like for you when you’re fully in music mode?

“When I am really focused on a project (preparing a live set, finishing an EP, starting a new track…) I want to be sure that nothing in the day can break the creative flow. So I...”

08

What keeps you inspired outside of music itself?

“Staying grounded. Keeping good relationships with the people around me; my family, my girlfriend Yana, my cat, my friends. I am quite sensitive, and the moment one part of my life...”

09

How do you feel about the current state of underground electronic music and online culture?

“I see a paradox. On one hand, we have never been so connected, and never had so many tools to express ourselves. On the other, the sad part is that the music itself often does not...”

10

Is there a particular club, party or live experience that stayed with you over time for any reason?

“I am grateful for every club and festival I have had the chance to play, but my favorite live experiences have always been at Le Chant des Oiseaux, the festival run by Atipik....”

11

What’s one thing people probably wouldn’t expect about your process or lifestyle behind the scenes?

“People probably wouldn’t expect how much structure sits behind the scenes. From the outside, electronic music can look purely spontaneous, and a big part of it really is built on...”

12

If you could work with or share a project with 2–3 artists / producers, who comes to mind?

“If we stay strictly within electronic music: ADMO is already my musical partner in our project Alpyren, but he is too important not to mention. Beyond that, DJ Immortal aka Paul...”

13

Is there an album, EP or record that you continuously return to over time?

“Unrest by Rei Harakami. I never stop returning to...”

14

What’s something you’ve learned over time that genuinely improved your workflow or mindset?

“I have learned that everything worth seeing, hearing or living takes patience and time. I am not afraid anymore of taking all the time a project needs, even if it means being...”

15

What are you currently focused on or excited about moving forward?

“For the first time in my life as an artist, I have finished a lot of different projects, and now I am just impatiently waiting for them to come out, whatever the reaction may be....”

16

“Lunch Break in Mitte” was a defining release for many listeners in 2024 and introduced a wider audience to your sound. Looking back now, what do you think made that EP connect with people the way it did, and what period of your life were you in while creating it?

“I think Lunch Break in Mitte connected with audience because it was groove-focused, colourful and easy to listen to, but still a bit abstract and slightly melancholic...”

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